How were the lives of free African Americans similar to those of enslaved African Americans in the 1700s?

While Africans in colonial America held very little social or political power, their contributions not only supported the Southern colonies but led to their eventual prosperity.

The first Africans brought to the colonies of what would be the United States had been enslaved by the Portugese. In the British colonies, they maintained a legal status similar to white indentured servants. Unlike the white indentured servants, however, the enslaved Africans did not volunteer their labor.

However, the Africans' status in the United States slowly deteriorated over the course of the century, as colonies slowly added laws to permit slavery and restrict the rights of Africans. There are two examples of this shift from indentured servitude to the institution of legal slavery for blacks in the British-American colonies. One is the story of John Punch, a black indentured servant who ran away from his boss along with two white indentured servants in 1640. All were captured. While the white indentured servants had their terms extended by four years each, Punch had his term of service extended to the rest of his life.

The second example is the case of John Casor. He was an indentured servant who had fled from his boss, Anthony Johnson [who, ironically, had also been among those first African captives brought to the 13 colonies until he earned his freedom and bought his own piece of land]. In 1654, Johnson took Casor to court to force him back into servitude. Casor claimed he had earned his freedom, but the court did not agree—and went a step further to declare that Casor would be Johnson’s property for the rest of his life.

These decisions laid the legal foundation for lifetime servitude. More laws followed, including one in 1662 that said children were born into slavery if their mothers were enslaved, and one in 1705 that declared all non-Christian servants brought to the colonies would automatically be enslaved.

While slavery existed in every colony at one time or another, it was the economic structure of farming in the South that depended on slave labor to prosper. A large labor force was needed to work the large plantations that grew labor-intensive crops like tobacco and rice. That labor demand was filled by the forced labor of Africans. While most enslaved people worked in the field, others were used in the enslavers’ homes, assisting the owners in running the plantation and household as manservants, maids, cooks, and nannies. As enslaved people became more and more in demand in the South, the slave trade that spanned from Africa to the colonies became a source of economic wealth as well.

Working long hours, living in crude conditions, and suffering abuses from their owners, African captives faced harsh conditions in colonial America. Families were often broken apart, with husbands and wives sold to different owners than their children. For those enslaved during this time, there was little hope of escape from slave life. None of the colonies outlawed slavery prior to the Revolutionary War, so running away to freedom was extremely difficult. There was a small chance a captive would be freed when their enslaver died, but it was equally likely that their family would be split up to surviving family members. Still, the enslaved resisted their bondage, with uprisings like the Stono Rebellion in 1739.

Despite these hardships, Africans in colonial America developed a vibrant culture that embodied a combination of resistance against their enslavers, adopted Christian worship, and customs from their native Africa. Storytelling was an art form as well as a means of sharing critical information about survival for the enslaved, and since they were not allowed to read or write, it was the primary way African-American history was passed down. Music and dance, which was central to African life, became sustenance for slaves’ emotional lives in America, especially in their prayer and worship practices. Many cultural elements from colonial America still exists in African-American culture today.

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1.

Buying Freedom

Opportunities for most enslaved African Americans to attain freedom were few to none. Some were freed by their owners to honor a pledge, to grant a reward, or, before the 1700s, to fulfill a servitude agreement. A few were bought by Quakers, Methodists, and religious activists for the sole purpose of freeing them [a practice soon banned in the southern states]. Many ran away to free territory, and some of these "fugitives" succeeded in avoiding capture and forced to the South [see Theme II: ENSLAVEMENT: #8, Runaways, and Theme III: COMMUNITY: #7, Fugitives.]

A rare option was "self-purchase" [the term itself revealing the base illogic of slavery]. In 1839 almost half [42%] of the free blacks in Cincinnati, Ohio, had bought their freedom1 and were striving to create new lives while searching for and purchasing their own relatives.

  • Venture Smith. Born in west Africa, Venture Smith was enslaved as a child and brought to Barbados in the Caribbean and later to Rhode Island and Connecticut in New England. Resolutely determined to become free, he purchased his own freedom by 1765, and, by 1775, he earned and saved enough money to purchase his entire family—his wife, son, and two daughters.
  • Elizabeth Keckley. Enslaved in St. Louis, Missouri, Elizabeth Keckley sought to purchase freedom for herself and her son. Her slaveholder finally agreed to a sum of $1200, but her plans to go to New York and raise money as a seamstress were thwarted when she was unable to acquire enough signed guarantees that she would return. Help arrived from her clients among the wealthy women of St. Louis, as Keckley relates in her autobiography. Later in Washington, DC, she became a valued dressmaker and seamstress to Mary Lincoln and other women of the governing elite.
  • "I paid an enormous sum for my freedom." In 1839 almost half [42%] of the free blacks in Cincinnati, Ohio—across the Ohio River from slave territory—had bought their freedom.1 Here we read the rare and arduous process of "self-purchase" described in the narratives of John Berry Meachum, William Troy, Elizabeth Keckley, Moses Grandy, and Venture Smith. [For free blacks' letters to their former slaveholders, see Theme IV: IDENTITY: #3, Slave to Free].
Also see the letters of free blacks to their former slaveholders in Theme IV: IDENTITY: #3, Slave to Free. [15 pages.]

Discussion questions

  1. How did enslaved blacks acquire enough money to purchase the freedom of themselves and their families?
  2. How did they acquire enough influence with their slaveholders to negotiate a price and a process for their freedom?
  3. How did the goal of purchasing their family members [and locating them in some instances] affect their lives as freemen?
  4. Where did they choose to live after buying their freedom? How did they make a living as free people?
  5. How did they relate to their former slaveholders? to members of their families still enslaved?
  6. How did they relate to themselves as "self-purchasers"?
  7. Compare the experiences of those who gained freedom through self-purchase, manumission, flight to free territory, and general emancipation in 1865. How do they each relate to freedom? to building a life after slavery?


Printing

Venture Smith narrative:  6
Elizabeth Keckley narrative:  4
Selections from 18th-19th-c. narratives:  5
TOTAL 15 pages

Supplemental Sites

Full text of the narratives excerpted in this section in Documenting the American South, from the University of North Carolina-Chapel Hill Library

  • - Moses Grandy, Narrative of the Life of Moses Grandy, 1843
  • - Elizabeth Keckley, Behind the Scenes, or, Thirty Years a Slave, and Four Years in the White House, 1868
  • - John Berry Meachum, An Address to All the Colored Citizens of the United States, 1846
  • - Venture Smith, A Narrative of the Life and Adventures of Venture, a Native of Africa, 1798
  • - William Troy, Hair-breadth Escapes from Slavery to Freedom, 1861



1 Loren Schweninger, Black Property Owners in the South, 1790-1915 [University of Illinois Press, 1997], p. 66; cited in Colin A. Palmer, Passageways: An Interpretive History of Black America, Vol. I: 1619-1863 [Belmont, CA: Wadsworth Group, 2002], p. 187.


Image: "In the matter of the emancipation of": manumission certificate of Sam Barnett, 3 March 1859 [detail]. Reproduced by permission of the National Afro-American Museum and Cultural Center [Ohio] and the Ohio Historical Society.

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