Color mode 8 bit 16 bit 32 bit

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Color mode 8 bit 16 bit 32 bit

Community Expert , Nov 12, 2016 Nov 12, 2016

Use 8-bit.

You could start out in 16-bit if you are doing heavy editing to photographic images, and convert to 8-bit when you're done.

8-bit files have 256 levels (shades of color) per channel, whereas 16-bit has 65,536 levels, which gives you editing headroom.

32-bit is used for creating HDR (High Dynamic Range) images.

For more information, take a look at this article: What is a digital image?

Scroll down to Image modes, channels and bit depth

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Color mode 8 bit 16 bit 32 bit

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In Photoshop, you can set your photo or project to 8-bit, 16-bit, or 32-bit. Now you may ask, what’s the difference between these three settings?

Simply put, the Bit Depth of an image refers to the number of colors in the picture. The number of colors present in the photo offers you various editing opportunities. With a higher bit depth, there is a broader range of colors to display.

However, it’s not always practical to use a higher bit depth, so before you change this setting, let me show you when you should use the various bit depths.

What Is Bit Depth?

Bit depth is a complicated topic that involves color and math. However, a simple explanation of bit depth is the range of colors and luminance that can be displayed in a photo. To understand when you should use each setting, you need to understand the concept a bit more.

Every digital image has a specific color mode, whether RGB, which contains three color channels, or CMYK, which holds four color channels.

No matter which color mode you set your picture to, each mode has the option of various Bit Depths, which are 8, 16, or 32-bits per channel in Photoshop.

Color mode 8 bit 16 bit 32 bit

You can shoot on JPEG or RAW when shooting images on modern digital cameras. A JPEG image is set at 8-bits while a RAW image contains between 12 and 14-bits. So, if you aim to set and edit photos at 16-bit, you should shoot RAW images.

The Bit Depth of an image determines how many shades or levels of color there are in each channel. Put another way, the bit depth is the tonal variations of an image. 

An 8-bit RGB photo has 256 shades, times that by three channels (256 x 256 x 256); this means the image can contain up to 16.7 million colors. JPEG images are capped at 8-bit, so there is no way to save a 16 or 32-bit image as a JPEG.

On the other hand, a 16-bit RGB image contains 65,536 shades, which means the photo can have 281 trillion colors. Now you can imagine how many colors you’ll find in a 32-bit document.

The human eye can’t recognize even close to trillions of colors, so you may wonder why you would ever use anything above an 8-bit image.

A higher bit depth is much better for heavy editing as it protects the colors from banding. As you edit an image in Photoshop, you lose the original levels of the photo. When using an 8-bit image, you can’t retrieve this information once it’s lost.

If your project is 16-bit, you won’t lose as many of the original color levels. However, a 16-bit image is much larger and takes up more space on your computer. You would use the 32-bit setting for more specialized editing. 

In most cases, even if you edit an image set to 16-bit, you will reduce it to 8-bit before exporting the image.

The difference between 8 bit, 16 bit, and 32 bit is the number of color values that can be displayed. An 8 bit image can display 16.7 million colors between the Red, Green, and Blue color channels. Meanwhile, a 16 bit image can display 281 trillion colors. The higher the bit depth, the more an image can be adjusted without losing quality.

The easiest way to demonstrate the differences between bit depths is to create and edit a simple black-to-white gradient.

For example, I have filled three separate canvases with a simple gradient and set the different bit depths for each document. You can see the bit depth in the document tab.

Color mode 8 bit 16 bit 32 bit
Color mode 8 bit 16 bit 32 bit

Looking at each gradient together, you can’t notice the difference. This lack of difference shows why bit depth doesn’t matter too much to the human eye at first. 

Color mode 8 bit 16 bit 32 bit

However, once I edit the images, the difference is noticeable. To demonstrate this, I added a Levels Adjustment Layer to each gradient and changed the Output Levels to 110 and 148. This adjustment turns the gradient to a solid gray.

Color mode 8 bit 16 bit 32 bit
Color mode 8 bit 16 bit 32 bit

The 8-bit and 16-bit images look the same, but you can already notice a difference on the 32-bit canvas.

Color mode 8 bit 16 bit 32 bit

Now, to see the actual difference between the bit depths, I need to change the gradient back to the original black-to-white. To do this, I add a new Levels Adjustment Layer and set the shadow input to 110 and the highlight input to 148.

Color mode 8 bit 16 bit 32 bit

Now, when you look at the three documents, you notice an obvious difference between the 8-bit and 16-bit canvases. The 32-bit isn’t much different from the 16-bit. You need to conduct much heavier edits to see the difference between those two.

Color mode 8 bit 16 bit 32 bit

The 8-bit image produces evident banding because the original levels of the gradient were lost, and the document didn’t contain enough color information to keep it smooth.

Color mode 8 bit 16 bit 32 bit

The 16-bit and 32-bit had more information to keep the gradient smooth.

Color mode 8 bit 16 bit 32 bit

How To Change Bit Depth In Photoshop

You can change the bit depth in Photoshop when you create a new document or even during your editing process. These methods are helpful if you want to start by editing a photo with a high bit depth, such as 16, and then reduce it before you export it.

Option 1: When Creating A New Document

The first method to change the bit depth is when you create a new document. Once Photoshop is open, click on New File in the left-hand panel.

Color mode 8 bit 16 bit 32 bit

The New Document window opens, where you can choose a template document, input your own document size, set the color mode, and more.

Color mode 8 bit 16 bit 32 bit

You change the bit depth in the right-hand side panel by selecting the drop-down menu next to the color mode options. You can choose from three options: 8-bit, 16-bit, or 32-bit.

Color mode 8 bit 16 bit 32 bit

Once you have chosen the bit depth and changed the rest of the settings as needed, click on Create.

Color mode 8 bit 16 bit 32 bit

In the Photoshop workspace, ensure that the bit depth is correctly set by looking at the value in the document tab.

Color mode 8 bit 16 bit 32 bit

Option 2: Changing An Existing Documents Bit Depth

Once your document is open in the workspace and you’ve edited it as needed, you can easily change the bit depth. It doesn’t matter whether you are working on a document you created or an image you opened in Photoshop.

To change the bit depth, navigate to Image > Mode. You will see the bit depth options at the bottom of the mode menu. The bit depth with the checkmark shows what you set your document to.

Color mode 8 bit 16 bit 32 bit

Click on the new bit depth you want, and your document automatically changes. You can see the change by checking the document tab.

Color mode 8 bit 16 bit 32 bit

In some cases, when you have specific edits on your image or canvas, Photoshop warns you about the possibility of changes in the appearance of your layers. The message recommends that you merge your layers before changing the bit depth. It’s entirely up to you if you merge the layers or not, as you may still need to edit them separately.

Color mode 8 bit 16 bit 32 bit

Should You Use 8 Bit, 16 Bit, or 32 Bit?

Now that you know a 16-bit photo contains more colors than an 8-bit, you may automatically think that increasing the bit depth leads to a better quality image. Unfortunately, a higher bit depth doesn’t mean better quality. 

The truth is that most pictures don’t contain enough colors for 16-bit to make any difference. However, there are times when a higher bit depth is necessary.

Using 8-bit

You don’t need anything higher than an 8-bit setting for standard image editing to produce quality photos and edits. If you are new to editing and only making minor edits, set the mode to 8-bit because it keeps the file size down and won’t slow your computer down.

Using 16-bit

A 16-bit setting is beneficial when you are applying more complicated edits to an image and need the advantages of more tonal variation.

I also recommend using a 16-bit setting when you plan to make several edits to your images that may break down the colors in the photo at some point. Using a higher setting allows you to prevent banding, as I showed you in the gradient example.

When editing at 16-bit, you should convert it back to 8-bit in most cases before exporting, especially when you plan to use the image on the web or send it to a printer. Most printers can only process 8-bit photos, although there are a few that print images at 16-bit.

Using 32-bit

The 32-bit setting is the least used because this mode increases the file size, slows down processes, and isn’t needed for most editing processes. However, there are a few times when you need to set the image to 32-bit.

When creating HDR images, you may need to switch to 32-bit because you are gathering color information from three different photos and merging them into one.

Editing at 32-bit is also helpful to access other benefits, such as changing the Intensity of a color. When you open the Color Picker at 32-bit, there is an extra setting that adjusts the intensity of a color without affecting the color values.

Color mode 8 bit 16 bit 32 bit

When using a 32-bit image, you also have more opportunities to manipulate colors using the Levels Adjustment and Exposure, as the picture contains far more colors. Use a 32-bit image when you plan on adding severe adjustments that affect the colors in an image.

Happy Editing!

Is 16

A 32 bit colored image provides more available colors than a 16 bit color image. The 32 bit color mode is preferred for accuracy and quality.

Is 8

However, the practical answer is that 16-bit color is better to work with, except for a few specific situations. In most cases it's better to work with 16-bit color because you'll have more options available in Photoshop, your computer will be faster, and the files will be smaller.

What is color mode 32

Like 24-bit color, 32-bit color supports 16,777,215 colors but has an alpha channel it can create more convincing gradients, shadows, and transparencies. With the alpha channel 32-bit color supports 4,294,967,296 color combinations. As you increase the support for more colors, more memory is required.